This was one of those shoots where we stripped everything back. No props, no elaborate styling, just me and a clean backdrop. Sometimes that's when you feel the most exposed, but also the most honest.

I love working in black and white because it removes all the noise. You can't hide behind color or distraction. It's just form, contrast, and whatever energy you're bringing that day. These shots felt easy, like we were just figuring out light together.

The simplicity made me move differently. Without anything to lean on or interact with, every position had to mean something on its own. That's harder than it sounds, but it's also freeing when you stop overthinking it.